Monthly Archives: January 2022

[Blog Tour] Favorite Quotes from The Red Palace by June Hur

Hello, welcome to the second half of my tour stop for The Red Palace by June Hur, hosted by Colored Pages. You can find the details about the book and my review in my previous post. I’ve kept this spoiler free, so worry not.

Note: These quotes were taken from the digital advance reader copy I received from the publisher. The final edition may differ slightly.

Quote #1

Moonlight drifted as quietly as falling snow, illuminating the pavilion roofs and the animal shaped statues that lined the swooping eaves. Floor lanterns spilled golden light across the frosted courtyards, and against the latticed labyrinth of doors and windows. Silence reigned, except for the distant ring of the great bell, echoing through the capital and rumbling over Changdeok Palace. By the twenty-eighth ring, the palace gates would be bolted shut for the night.

Chapter 1

Quote #2

I knew how to keep my heart calm in the face of death and dying, screaming patients, and yet one sharp word from my father, and I turned into a fragile child. Before him, I never knew how to keep myself from crying—the type of crying that left me in a heap of violent shudders and gasped attempts to speak—no matter how much he resented the sight of it all. I wanted so much to be accepted by him. And I hated this feeling; I wished it to go away.

Chapter 6

Quote #3

It was no wonder that I’d read of Segeomjeong Pavilion so often in literature and poems. The pavilion nestled under a forested mountain and next to a trickling stream that sparkled in the setting sun, casting a spell over one’s mind with the thought that everything was well with the kingdom. There was no famine. There was no horror, no pain. There was no grief. There was only water, earth, and trees.

Chapter 7

Quote #4

He held my gaze, his brows drawn low with concern. “I promise. I promise on my father’s grave that nothing you tell me will ever be turned against you.”

And in that moment, I felt a strange feeling.

I trusted him.

Chapter 7

Quote #5

With that, I gave the servant a faint smile and stepped into my home. Silence and shadows swarmed around me, heavy with Mother’s grief, the one wound I couldn’t stitch up. A wound that made me feel so helpless I wanted to run away from it—but I was her daughter. We were family.

Chapter 8

Quote #6

Letting out a heavy sigh, I slid open the door to her chamber, and as the glow of candlelight filled my vision, for a moment, I saw Mother as she had once been. A gisaeng of exquisite beauty, and so intelligent that powerful men would come from all around the kingdom to converse with her. One of the men had been my father. A whirlwind love story, it was, Servant Mokgeum had once told me. They could hardly survive a day without each other.

But the pool of candlelight faded, and I stared at the mother who’d raised me, with her severely tied hair and a face that looked as empty as a storm-washed sky, eyes so dim they reminded me of a pair of burnt-out wicks.

Chapter 8

Quote #7

Within a few paces, I caught sight of the flared tile roof of the police bureau rising above the sea of thatched huts like dark storm clouds. I saw, too, a group of young police officers standing outside, speaking with someone. My gaze gravitated toward the tallest officer, a veil of rain dripping from the brim of his black hat.

Chapter 9

Quote #8

I was suddenly filled with the urge to burst into laughter. Laughter over the terrifyingly ridiculous situation I’d found myself, and from the sheer sense of wonder that the darkest time had brought a friend into my life.

Chapter 10

Quote #9

My stomach tightened into a knot as I wrung my hands, and forced my gaze onto the floor. But I couldn’t refocus myself. My guard fell away like a sigh of defeat, and I admitted to myself a truth that made my ears burn.

I wanted to love and be loved.

I wanted to be known.

I wanted to be understood and accepted.

Chapter 11

Quote #10

The great bell struck, its resounding ring rumbling down the streets. Massive gates on all corners of the fortress thundered shut, and we narrowly made it out on horseback. Hooves pounded across the earth as the capital and its guardian mountain dwindled into a black-ridged shadow.

Chapter 16

[Blog Tour] Review for The Red Palace by June Hur

It’s a new year already, which sounds fake since it feels like just yesterday we were starting off 2021. I haven’t kept up with my blog as much as I hoped over the past year, but I’m still hanging in there and getting all my blog tour posts in. Today’s review is for one of my most anticipated 2022 releases, The Red Palace by June Hur, as part of the blog tour hosted by Colored Pages. You can find out more about the tour and view the tour schedule on the Colored Pages site.

Book Information

Title: The Red Palace
Author: June Hur  
Publisher: Feiwel & Friends
Publication Date: January 25th, 2022 
Genres: Young Adult, historical fiction, mystery

Synopsis

Joseon (Korea), 1758. There are few options available to illegitimate daughters in the capital city, but through hard work and study, eighteen-year-old Hyeon has earned a position as a palace nurse. All she wants is to keep her head down, do a good job, and perhaps finally win her estranged father’s approval.

But Hyeon is suddenly thrust into the dark and dangerous world of court politics when someone murders four women in a single night, and the prime suspect is Hyeon’s closest friend and mentor. Determined to prove her beloved teacher’s innocence, Hyeon launches her own secret investigation.

In her hunt for the truth, she encounters Eojin, a young police inspector also searching for the killer. When evidence begins to point to the Crown Prince himself as the murderer, Hyeon and Eojin must work together to search the darkest corners of the palace to uncover the deadly secrets behind the bloodshed.

June Hur, critically acclaimed author of The Silence of Bones and The Forest of Stolen Girls, returns with The Red Palace—a third evocative, atmospheric historical mystery perfect for fans of Courtney Summers and Kerri Maniscalco.

Review

(Note: I received an advance reader copy of the book from the publisher as part of my participation in this tour in exchange for an honest review.)

Honestly I feel like I might be repeating myself somewhat from my review of The Forest of Stolen Girls, but June Hur has delivered yet another masterful bone-chilling page-turner. Something about the way she writes infuses each page with the atmospheric essence necessary to immerse you in the world of her stories. There’s not a word wasted, each sentence a silken thread in a grand tapestry that you cannot fully grasp until it has finished being woven before your eyes. It’s like magic.

At the heart of this tragic serial murder mystery is nuanced commentary on gender and class inequality in 18th century Joseon Korea, the ghosts that haunt Hyeon at each step of her investigation and her life as a whole. As a young woman and an illegitimate child of a noble and a former courtesan, she has few prospects in a world of strict gender segregation and class stratification. Her attempts to pursue truth and justice on behalf of the murder victims and the innocent scapegoat for their deaths put her at odds with the prevailing social order, which would prefer that she keep her head down and mouth shut—if she doesn’t want to end up dead as well.

The story makes it clear who is treated as disposable and who can largely harm with impunity, and the challenge of solving the mystery is very much tied up in social power differentials and access to knowledge and resources. Yet the lurking threats to Hyeon and to those who refuse to let the truth remain untold ironically betray the fragility of the powerful and the faults in the system that allow those with less privilege to gain leverage and turn the tables. Thus the story does not fall into a fatalistic view of society but instead instills hope that toxic systems can be upended and justice can prevail.

As with her previous novels, this newest book of June’s centers on family and the complex feelings of daughters toward patriarchal figures. Hyeon’s desperate desire for validation from her emotionally distant and unforgiving father informs her choices and creates internal conflict throughout the story. Her investigation could jeopardize the achievements she has worked hard to attain as a palace nurse, so she must choose between doing what’s right and doing what is expected of her.

One notable way that The Red Palace diverges from its predecessors is the inclusion of a romantic subplot. Folded into the story’s broader theme of gender and class inequality is an aching tale of forbidden love. Eojin and Hyeon share analytical minds and an eye for detail, a strong sense of justice, and a stubborn streak that puts them in danger of retribution by those who feel threatened by their investigation. Yet the strict rules of gender and class dictated by their time and place cut a wide gulf between them, barring them from forging a socially sanctioned friendship and bond of intimacy. The result is a slow-burn romance replete with soulful yearning, stolen glances, and unspoken affection. It is devastating and beautiful, and you’ll have to read the book to find out not only who killed the palace women and why but what the future holds for Eojin and Hyeon. Trust me, it’s worth it.

In my next post, I’ll share some favorite quotes from the book to give a taste of what you’re in for.

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About the Author

a black and white photo of a pale-skinned young East Asian woman with long black hair who is smiling widely with teeth showing and eyes crinkled; a veil of maple leaves are faintly visible in the unfocused background

June Hur was born in South Korea and raised in Canada, except for the time when she moved back to Korea and attended high school there. She studied History and Literature at the University of Toronto. She began writing her debut novel after obsessing over books about Joseon Korea. When she’s not writing, she can be found wandering through nature or journaling at a coffee shop. She is the author of The Silence of BonesThe Forest of Stolen GirlsThe Red Palace, and A Crane Among Wolves, published by Feiwel & Friends/Macmillan, and she currently lives in Toronto with her husband and daughter.