It’s a new year already, which sounds fake since it feels like just yesterday we were starting off 2021. I haven’t kept up with my blog as much as I hoped over the past year, but I’m still hanging in there and getting all my blog tour posts in. Today’s review is for one of my most anticipated 2022 releases, The Red Palace by June Hur, as part of the blog tour hosted by Colored Pages. You can find out more about the tour and view the tour schedule on the Colored Pages site.
Title: The Red Palace
Author: June Hur
Publisher: Feiwel & Friends
Publication Date: January 25th, 2022
Genres: Young Adult, historical fiction, mystery
Joseon (Korea), 1758. There are few options available to illegitimate daughters in the capital city, but through hard work and study, eighteen-year-old Hyeon has earned a position as a palace nurse. All she wants is to keep her head down, do a good job, and perhaps finally win her estranged father’s approval.
But Hyeon is suddenly thrust into the dark and dangerous world of court politics when someone murders four women in a single night, and the prime suspect is Hyeon’s closest friend and mentor. Determined to prove her beloved teacher’s innocence, Hyeon launches her own secret investigation.
In her hunt for the truth, she encounters Eojin, a young police inspector also searching for the killer. When evidence begins to point to the Crown Prince himself as the murderer, Hyeon and Eojin must work together to search the darkest corners of the palace to uncover the deadly secrets behind the bloodshed.
June Hur, critically acclaimed author of The Silence of Bones and The Forest of Stolen Girls, returns with The Red Palace—a third evocative, atmospheric historical mystery perfect for fans of Courtney Summers and Kerri Maniscalco.
(Note: I received an advance reader copy of the book from the publisher as part of my participation in this tour in exchange for an honest review.)
Honestly I feel like I might be repeating myself somewhat from my review of The Forest of Stolen Girls, but June Hur has delivered yet another masterful bone-chilling page-turner. Something about the way she writes infuses each page with the atmospheric essence necessary to immerse you in the world of her stories. There’s not a word wasted, each sentence a silken thread in a grand tapestry that you cannot fully grasp until it has finished being woven before your eyes. It’s like magic.
At the heart of this tragic serial murder mystery is nuanced commentary on gender and class inequality in 18th century Joseon Korea, the ghosts that haunt Hyeon at each step of her investigation and her life as a whole. As a young woman and an illegitimate child of a noble and a former courtesan, she has few prospects in a world of strict gender segregation and class stratification. Her attempts to pursue truth and justice on behalf of the murder victims and the innocent scapegoat for their deaths put her at odds with the prevailing social order, which would prefer that she keep her head down and mouth shut—if she doesn’t want to end up dead as well.
The story makes it clear who is treated as disposable and who can largely harm with impunity, and the challenge of solving the mystery is very much tied up in social power differentials and access to knowledge and resources. Yet the lurking threats to Hyeon and to those who refuse to let the truth remain untold ironically betray the fragility of the powerful and the faults in the system that allow those with less privilege to gain leverage and turn the tables. Thus the story does not fall into a fatalistic view of society but instead instills hope that toxic systems can be upended and justice can prevail.
As with her previous novels, this newest book of June’s centers on family and the complex feelings of daughters toward patriarchal figures. Hyeon’s desperate desire for validation from her emotionally distant and unforgiving father informs her choices and creates internal conflict throughout the story. Her investigation could jeopardize the achievements she has worked hard to attain as a palace nurse, so she must choose between doing what’s right and doing what is expected of her.
One notable way that The Red Palace diverges from its predecessors is the inclusion of a romantic subplot. Folded into the story’s broader theme of gender and class inequality is an aching tale of forbidden love. Eojin and Hyeon share analytical minds and an eye for detail, a strong sense of justice, and a stubborn streak that puts them in danger of retribution by those who feel threatened by their investigation. Yet the strict rules of gender and class dictated by their time and place cut a wide gulf between them, barring them from forging a socially sanctioned friendship and bond of intimacy. The result is a slow-burn romance replete with soulful yearning, stolen glances, and unspoken affection. It is devastating and beautiful, and you’ll have to read the book to find out not only who killed the palace women and why but what the future holds for Eojin and Hyeon. Trust me, it’s worth it.
In my next post, I’ll share some favorite quotes from the book to give a taste of what you’re in for.
About the Author
June Hur was born in South Korea and raised in Canada, except for the time when she moved back to Korea and attended high school there. She studied History and Literature at the University of Toronto. She began writing her debut novel after obsessing over books about Joseon Korea. When she’s not writing, she can be found wandering through nature or journaling at a coffee shop. She is the author of The Silence of Bones, The Forest of Stolen Girls, The Red Palace, and A Crane Among Wolves, published by Feiwel & Friends/Macmillan, and she currently lives in Toronto with her husband and daughter.
- Website – http://www.junehur.com/
- Goodreads –https://www.goodreads.com/author/show/18341009.June_Hur
- Twitter – http://www.twitter.com/writerjunehur
- Instagram – https://www.instagram.com/junehwrites/