Tag Archives: Immigrant MC

Author Interview: Livia Blackburne

Welcome to my Taiwanese American Heritage Week feature series! Taiwanese American Heritage Week is celebrated every year in May starting on Mother’s Day and ending the following Sunday. Each year during TAHW I spotlight Taiwanese authors and books in some form or fashion on my blog. You can find all of the past features in my Post Index.

The fourth author interview in my 2021 TAHW series is with NYT Bestselling author Livia Blackburne on her first picture book, I Dream of Popo, illustrated by Julia Kuo.

Synopsis:

From New York Times bestselling author Livia Blackburne and illustrator Julia Kuo, here is I Dream of Popo. This delicate, emotionally rich picture book celebrates a special connection that crosses time zones and oceans as Popo and her granddaughter hold each other in their hearts forever.

I dream with Popo as she rocks me in her arms.
I wave at Popo before I board my flight.
I talk to Popo from across the sea.
I tell Popo about my adventures.

When a young girl and her family emigrate from Taiwan to America, she leaves behind her beloved popo, her grandmother. She misses her popo every day, but even if their visits are fleeting, their love is ever true and strong.

Interview:

Q: Writing a picture book feels like a pretty big departure from your previous work, which were all YA fantasy. While it’s often assumed that writing picture books is “easier,” it’s not. It’s simply a different medium for storytelling. How is your process different for writing picture books versus for writing YA prose novels?

A: In comparing novels and picture books, I like to make the analogy of building a full-size ship versus a ship in a bottle. With novels, you’re working on a large scale. You’re taking giant pieces of prose and plot and moving them around. It takes a lot of hours, and you end up with something pretty massive. And while you do end up putting a little detailing here and there, but it’s impossible to give the same amount of loving detail to every single word.

With picture books however, you’re in there with your magnifying glass and your tweezers, putting everything in its exact place. And instead of worrying about getting enough material for the entire ship, now your problem is that you have too much. You have to figure out what to put in and what to leave out. It’s more delicate work. I wouldn’t say it’s easier, but it takes less time and you have chance of running out of steam on it.

Q: I know for I Dream of Popo, you got to work with both a Taiwanese American illustrator (Julia Kuo) and a Taiwanese American editor (Connie Hsu). What was that experience like?

A: It was a dream come true! It was just such a wonderful feeling, to be in a team where everybody saw themselves uniquely in the story. Everybody knew the need for the story, and everybody was completely invested in telling it and as authentic away as possible. Since we had this common cultural background, there was a lot less explaining to do. We all knew what New Year’s celebrations were supposed to be like. We all spoke mandarin , and also bonded at how bad our written Chinese was. In terms of artistic collaborations, this one was very special.

Q: For picture books where the author isn’t also the illustrator, there’s a level of trust and surrender of creative control required to craft the story into its best and final form. Did you find that aspect difficult? How much did you communicate with Julia about the illustrations? How much of what appears in the book was your idea versus hers?

A: This is my favorite aspect of writing a picture book, the chance to write the story, and then pass it for someone else to create something more out of it. Julia and I hardly communicated at all throughout the process. I think the first time I saw the pictures, they were already in an almost finished state. So in traditional publishing, a writer’s role really is just as a writer. The art director and editor take care of the book creation process. While it might be difficult for some writers to let go, I am so bad at art that I am pretty much impressed by anything, and it was fun just to sit back and see what they could come up with. As far as my contribution versus Julia’s, basically the words you see on the page are mine. All the interpretation of the words into pictures are hers. In picture book manuscript, you do have illustrator notes, which are kind of like stage directions for the artist, but I don’t think I included that many, if any.         

Q: I know during the time when you were writing the book, you had your own young daughter to take care of. Did her presence in your life affect your approach to writing the book, and if so, how?

A: Well, she’s the one I have to blame for getting me into picture books in the first place! When you’re going to the library every week and reading hundreds of picture books a year, it’s hard not to fall in love with them. I do think having my daughter also had me thinking more about family legacy, and passing on my Chinese heritage to her.

Q: Just for fun, do you have any favorite foods or places to visit in Taiwan to share?

A: I love street vendor food! Stinky tofu, especially the steamed kind that is super stinky but oh so flavorful. Rice balls and vermicelli soup are other favorites. I’m also a huge fan of Taiwanese breakfast places. My breakfast of choice is a bowl of hot sweet soy milk and a shaobing with egg and pork sung. Soooo good.

Book Links:

Goodreads | Amazon | Barnes & Noble | Bookshop | IndieBound | Indigo

About the Author:

New York Times bestselling author Livia Blackburne is a Chinese/Taiwanese American author who wrote her first novel while researching the neuroscience of reading at the Massachusetts Institute of Technology.  Since then, she’s switched to full time writing, which also involves getting into people’s heads but without the help of a three tesla MRI scanner.

She is the author of the MIDNIGHT THIEF (An Indies Introduce New Voices selection) and ROSEMARKED (A YALSA Teens Top Ten nominee), as well as the picture book I DREAM OF POPO , which received starred reviews from Publisher’s Weekly and Kirkus.

Author Links:

Website – liviablackburne.com
Twitter – @lkblackburne
Instagram – @lkblackburne
Facebook – Livia Blackburne’s Author Page
Pinterest – lkblackburne

Author Interview: Lily LaMotte

Welcome to my Taiwanese American Heritage Week feature series! Taiwanese American Heritage Week is celebrated every year in May starting on Mother’s Day and ending the following Sunday. Each year during TAHW I spotlight Taiwanese authors and books in some form or fashion on my blog. You can find all of the past features in my Post Index.

The third author interview in my 2021 TAHW series is with Lily LaMotte on her debut middle grade graphic novel Measuring Up, illustrated by Ignatz-nominated cartoonist and illustrator Ann Xu.

Synopsis:

Twelve-year-old Cici has just moved from Taiwan to Seattle, and the only thing she wants more than to fit in at her new school is to celebrate her grandmother, A-má’s, seventieth birthday together.

Since she can’t go to A-má, Cici cooks up a plan to bring A-má to her by winning the grand prize in a kids’ cooking contest to pay for A-má’s plane ticket! There’s just one problem: Cici only knows how to cook Taiwanese food.

And after her pickled cucumber debacle at lunch, she’s determined to channel her inner Julia Child. Can Cici find a winning recipe to reunite with A-má, a way to fit in with her new friends, and somehow find herself too?

Interview:

Q: This is a question I ask most of the Taiwanese authors who I feature, and it’s also relevant to the theme of Measuring Up: What’s your favorite Taiwanese food?

A: That’s a good question! I have to say my mom’s dumpling soup. When we visit my parents, my mom, my kids, and I sit around the kitchen table to wrap the dumplings. It’s one of those things that not only is delicious but creates memories. At home, although I don’t make dumpling soup, my husband, son, and I will do movie night where we make and eat potstickers while watching that night’s movie pick.

Q: At times the publishing industry fetishizes youthfulness in authors, putting spotlights on the so-called prodigies who get published at a young age. However, everyone’s path to publishing is different, and there is value in learning from people who transitioned into the industry at an older age. What has that process been like for you, and how has your life experience before becoming an author informed your writing?

A: I think that as we age and gain life experiences, we bring some of that into our writing. I started my writing journey twelve (!) years ago. I am pretty sure that I didn’t have anything worthwhile to say at that time. Hamline University’s low-residency MFA in Writing for Children and Young Adults changed how I thought about my writing. Prior to Hamline, I had taken writing classes, webinars, gone to SCBWI conferences to further my craft but it wasn’t until I went to Hamline where we were involved in intense discussions about diversity that I thought it would be possible to write a diverse character and story.

Q: I saw from your other interviews that you were drawn to writing for children because of your experiences reading with your kids when they were younger. Children’s literature contains a wide array of subcategories segmented by age. What drew you to writing middle grade in particular?

A: I write middle grade because those stories of families and friendships speak to me. Despite my advance age, I think about family and friendship relationships because they are universal no matter one’s age. I also write picture books and have my debut picture book CHLOE’S LUNAR NEW YEAR from HarperCollins coming out Winter 2023. I had such fun reading board books and picture books to my kids when they were that age. I want to capture some of that fun in my writing for both the picture book and the middle grade groups. There is also less cynicism and more happy endings. I really like happy endings!

Q: I think it’s super cool that you had Gene Luen Yang as a writing mentor since he was one of the first Taiwanese American children’s authors I ever read when I was younger (around 14-15). When I first met him at the book festival hosted at my high school, I asked him to draw me a llama, and I still have the drawing saved. What was your favorite part of working with him?

A: I love that you still have the llama he drew for you!! Gene is not only a wonderful mentor but just a wonderful person all-around. He is so smart and was able to steer me through my story. And he did it in a way that was so supportive.

Q: I read in another interview that you had to do extremely detailed panel descriptions for Measuring Up. As someone who’s interested in writing a graphic novel script someday, I’m curious about the process of working with an illustrator. I know that you and Ann Xu collaborated through your editor. What was that triangulation like? Did Ann surprise you in a good way with any of her interpretations? And what is your favorite page or panel from Measuring Up, illustration-wise?

A: Ann is an amazing illustrator and I am so happy she not only illustrated MEASURING UP but is now working on UNHAPPY CAMPER coming next summer. As part of working with Gene, he required extensive illustration notes. It was the first time I thought about story details in that depth and I think that it helped me tremendously in figuring out who my characters were so that I could write their story. When my script went to Ann, I pulled out some of the descriptions so that she could bring her own brilliance to the book. I love the full-page panel when Cici is at the restaurant and sees herself for the first time as belonging to a place like that. I described the page as having Cici surrounded by puzzle pieces of the restaurant and equipment. I specified certain things that I knew would be restaurant versus home equipment to be helpful to the illustration process. Ann blew me away with that fantastic page. I love it so much that I created fabric with that image to make tea towels for giveaways.

Q: I love the variety of dishes that show up in the cooking competition. Did you have any systematic/meaningful way of deciding what each challenge would be and which dishes each character would make, or was it more random?

A: I thought about what kind of person each character in the competition would be so that I could decide what dish the character would make. As far as the challenge in each round, I wanted to make some of them kid-friendly but also have meaningful challenges like the sweet potato which has such a strong link to Taiwan.

Q: I’m super excited for your second graphic novel, Unhappy Camper, and can’t wait for it to hit the shelves. The premise of going to a Taiwanese American summer camp is super appealing to me because it reminds me of my own experiences attending TAA summer conferences as a kid, except those were geared toward adults with a few children’s activities on the side rather than being for children/youth. Can you tell us a little more about Unhappy Camper?

A: I’m not sure what I can say yet except that it is a sister story where my protagonist’s sister loves everything Taiwan. But for my protagonist, not so much. It isn’t until my protagonist goes to a Taiwanese American summer camp that she reclaims her cultural heritage. There’s crafting, singing, language lessons (much to her disappointment) with a tiny bit of what makes the Pacific Northwest so special.

Thank you for thinking of me for Taiwanese American Heritage Week!

Book Links:

Goodreads | Amazon | Barnes & Noble | Bookshop | IndieBound | Indigo

About the Author:

Lily LaMotte is the debut author of the middle grade graphic novel MEASURING UP from HarperCollins/HarperAlley. When she isn’t writing picture books and middle grade graphic novels, she’s cooking up new recipes. Sometimes, when she sees the gray clouds outside her window in the Pacific Northwest, she loads up the campervan for a writing retreat camping trip with her husband and two dogs.

She is a graduate of Hamline’s MFA in Writing for Children and Young Adults.

Author Links:

Website – http://www.lilylamotte.com
Twitter – @lilylamotte
Instagram – @lilylamottewrites